The Trowchester Series emerges from the primordial soup
Finally I have evidence that I wasn’t just making it all up when I said I had written three new contemporary novels, all set in my fictional city of Trowchester. Here is such strong independent proof that you can even pre-order them already for a 29% discount if you get all three 🙂
Plus, I have cover art to show off for all of them! Excitingly, although you can’t see the spine and back cover on the ebook versions, on the paperbacks the design wraps all the way around. It’s awesome 🙂
Trowchester: it’s the fourth smallest city in Britain, and visitors sometimes think it hasn’t left the Middle Ages yet. There’s a Bronze Age barrow, a wide network of ley lines, the best tea shop in the county, and more morris dancers than you can shake a stick at. Trowchester attracts those who have been hurt and those who are looking for sanctuary from the modern world. But scratch the surface and there’s murder and mayhem aplenty. People come here to find love, but they’re forced to learn bravery first.
Michael May is losing it. Long ago, he joined the Metropolitan Police to escape his father’s tyranny and protect people like himself. Now his father is dead, and he’s been fired for punching a suspect. Afraid of his own rage, he returns to Trowchester—and to his childhood home, with all its old fears and memories. When he meets a charming, bohemian bookshop owner who seems to like him, he clings tight.
Fintan Hulme is an honest man now. Five years ago, he retired from his work as a high class London fence and opened a bookshop. Then an old client brings him a stolen book too precious to turn away, and suddenly he’s dealing with arson and kidnapping, to say nothing of all the lies he has to tell his friends. Falling in love with an ex-cop with anger management issues is the last thing he should be doing.
Finn thinks Michael is incredibly sexy. Michael knows Finn is the only thing that still makes him smile. But in a relationship where cops and robbers are natural enemies, that might not be enough to save them.
Billy Wright has a problem: he’s only visible when he’s wearing a mask. That’s fine when he’s performing at country fairs with the rest of his morris dancing troupe. But when he takes the paint off, his life is lonely and empty, and he struggles with crippling depression.
Martin Deng stands out from the crowd. After all, there aren’t that many black Vikings on the living history circuit. But as the founder of a fledgling historical re-enactment society, he’s lonely and harried. His boss doesn’t like his weekend activities, his warriors seem to expect him to run everything single-handedly, and it’s stressful enough being one minority without telling the hard men of his group he’s also gay.
When Billy’s and Martin’s societies are double-booked at a packed county show, they know at once they are kindred spirits, united by a deep feeling of connectedness to their history and culture. But they’re also both hiding in their different ways, and they need each other to be brave enough to take their masks off and still be seen.
Local archaeologist James Summers is in a failing long distance relationship with a rock star, and Aidan—nervous, bruised, and clearly in need of a champion—brings out all his white knight tendencies. When everything falls apart for Aidan, James saves him from certain death . . . and discovers a skeleton of another boy who wasn’t so lucky.
As Aidan recovers, James falls desperately in love. But though Aidan acts like an adoring boyfriend, he doesn’t seem to feel any sexual attraction at all. Meanwhile there are two angry exes on the horizon, one coming after them with the press and the other with a butcher’s knife. To be together, Aidan and James must conquer death, sex, and everyone’s preconceptions about the right way to love—even their own.